![]() ![]() ![]() Shellee says, “I always read my scripts four-five times. This stayed with me.”Ī reason that the film’s songs take the screenplay forward and complements it on every level is because Shellee and the Manmarziyaan writer and creative producer Kanika Dhillon were on the same page. “The layers in the film’s story resonated with this love triangle. It’s all grey,” Shellee ruminates, while revealing he took notes from the legendary Sahir-Amrita-Imroz triangle for Manmarziyaan. So, you can’t go harping about being a purist. Even while living with Imroz, she spent a few nights with Sahir. “When we talk about Sahir Ludhianvi-Amrita Pritam love story, it also had grey shades. The poet’s non-judgmental take on modern romance is apparent in the lines which talk about “mutual favour” as well as the need of “updating the ghisa-peeta (orthodox) version” of love in the song “Grey Walaa Shade”. The film does not judge these characters and their equation which has both love and lust. ![]() The nature of Vicky (Vicky Kaushal) and Rumi’s (Taapsee Pannu) relationship is how many modern relationships are. In “Grey Walaa Shade”, I have used many English words starting from the title itself. “I get bored of using one language purely. ![]()
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